 Today you will be writing about a photograph by artist Lori Nix. This image is from her series titled The City.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember to post your analysis as a comment to the blog post that corresponds to your class. If you post your analysis to the wrong class's post, it will not be graded. Remember, refer to your "How to See" handout for analyzing a photograph--
Your analyses will be graded on:
10 Comments
 McLean, Virginia, December 1978 © Joel Sternfeld Every other week in class, you will complete a written analysis on a work of photographic art. An image will be published bi-weekly on our class blog. We will discuss the work together. Then you will spend time studying the image and write a detailed analysis of the photograph. You will publish your analysis as a comment to the blog post; this comment should show your name and time posted. your analysis must be posted to the original blog post in order to be graded.
All analyses must be 4 paragraphs minimum, 5 sentences minimum per paragraph unless otherwise noted. Students will write 7 critical analyses per semester, and the lowest grade per semester will be dropped. On the class blog, if you look to the right you will see the word Analyze. There is a link to a handout you may download or print called your "How to See" handout. This will help you learn to write about art. Refer to your "How to See" handout for analyzing a photograph--
For this week's Critical Analysis, you will be reading 2 articles regarding a recent lawsuit regarding copyright law. You will then answer the questions below. Post your answers as a comment to this blog post—make sure to post to the correct class period's blog post.
First, read the articles below: https://www.npr.org/sections/thetwo-way/2017/09/12/550417823/-animal-rights-advocates-photographer-compromise-over-ownership-of-monkey-selfie https://www.nytimes.com/2017/09/11/us/selfie-monkey-lawsuit-settlement.html Next, answer these questions in complete sentences:
This is due for a grade by MIDNIGHT. For this week's Critical Analysis, you will be reading 2 articles regarding a recent lawsuit regarding copyright law. You will then answer the questions below. Post your answers as a comment to this blog post—make sure to post to the correct class period's blog post.
First, read the articles below: https://www.npr.org/sections/thetwo-way/2017/09/12/550417823/-animal-rights-advocates-photographer-compromise-over-ownership-of-monkey-selfie https://www.nytimes.com/2017/09/11/us/selfie-monkey-lawsuit-settlement.html Next, answer these questions in complete sentences:
This is due for a grade by MIDNIGHT. For this week's Critical Analysis, you will be reading 2 articles regarding a recent lawsuit regarding copyright law. You will then answer the questions below. Post your answers as a comment to this blog post—make sure to post to the correct class period's blog post.
First, read the articles below: https://www.npr.org/sections/thetwo-way/2017/09/12/550417823/-animal-rights-advocates-photographer-compromise-over-ownership-of-monkey-selfie https://www.nytimes.com/2017/09/11/us/selfie-monkey-lawsuit-settlement.html Next, answer these questions in complete sentences:
This is due for a grade by MIDNIGHT.  Today you will be writing about a photograph by artist Lori Nix. This image is from her series titled The City.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember to post your analysis as a comment to the blog post that corresponds to your class. If you post your analysis to the wrong class's post, it will not be graded. Remember, refer to your "How to See" handout for analyzing a photograph--
Your analyses will be graded on:
Before you write, read the artist statement: I consider myself a faux-landscape photographer. I build meticulously detailed model environments and then photograph the results. Through the photographic process, the fictional scene is transformed into a surreal space, where scale, perspective, and the document of the photograph create a tension between the material reality of the scene and the impossibility of the depicted narrative. In this space, between evidence and plot, the imagination of the viewer is unlocked, engaged, and provoked. I want my scenes to convey rich, complex, detailed, and, ultimately, open-ended narratives. Several common themes prevail throughout my work: the constructed photograph, the landscape in turmoil, and danger married to humor. I present these elements as the raw materials of stories with messages, but without conclusions. The photographs I create do not reflect the tradition of the grand idyllic landscape. Rather than showing the beautiful or heroic vista, I look to the darker corners of life. I am interested in the forces of entropy, in the ruins left in the wake of human pretense of grandeur. My scenes are usually devoid of people, and this emptiness becomes an important element. In this way, the impact of civilization is shown by what remains in the absence of humans. Evidence of humans may still be visible, but the cause for their absence is left unclear, allowing the viewer to complete the narrative. In my current series The City, I focus on the ruins of urban landscapes. I have chosen the spaces that celebrate modern culture, knowledge, and innovation: the theater, the museum, and the library. Here the monuments of civilization and material culture are abandoned, in a state of decay and ruin, with natural elements such as plants, insects, and animals beginning to repopulate the spaces. This idea of paradise lost, or the natural world reclaiming itself, becomes more forceful as we face greater environmental challenges in the world around us.  Today you will be writing about a photograph by artist Lori Nix. This image is from her series titled The City.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember to post your analysis as a comment to the blog post that corresponds to your class. If you post your analysis to the wrong class's post, it will not be graded. Remember, refer to your "How to See" handout for analyzing a photograph--
Your analyses will be graded on:
Before you write, read the artist statement: I consider myself a faux-landscape photographer. I build meticulously detailed model environments and then photograph the results. Through the photographic process, the fictional scene is transformed into a surreal space, where scale, perspective, and the document of the photograph create a tension between the material reality of the scene and the impossibility of the depicted narrative. In this space, between evidence and plot, the imagination of the viewer is unlocked, engaged, and provoked. I want my scenes to convey rich, complex, detailed, and, ultimately, open-ended narratives. Several common themes prevail throughout my work: the constructed photograph, the landscape in turmoil, and danger married to humor. I present these elements as the raw materials of stories with messages, but without conclusions. The photographs I create do not reflect the tradition of the grand idyllic landscape. Rather than showing the beautiful or heroic vista, I look to the darker corners of life. I am interested in the forces of entropy, in the ruins left in the wake of human pretense of grandeur. My scenes are usually devoid of people, and this emptiness becomes an important element. In this way, the impact of civilization is shown by what remains in the absence of humans. Evidence of humans may still be visible, but the cause for their absence is left unclear, allowing the viewer to complete the narrative. In my current series The City, I focus on the ruins of urban landscapes. I have chosen the spaces that celebrate modern culture, knowledge, and innovation: the theater, the museum, and the library. Here the monuments of civilization and material culture are abandoned, in a state of decay and ruin, with natural elements such as plants, insects, and animals beginning to repopulate the spaces. This idea of paradise lost, or the natural world reclaiming itself, becomes more forceful as we face greater environmental challenges in the world around us.  Today you will be writing about a photograph by artist Lori Nix. This image is from her series titled The City.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember to post your analysis as a comment to the blog post that corresponds to your class. If you post your analysis to the wrong class's post, it will not be graded. Remember, refer to your "How to See" handout for analyzing a photograph--
Your analyses will be graded on:
Before you write, read the artist statement: I consider myself a faux-landscape photographer. I build meticulously detailed model environments and then photograph the results. Through the photographic process, the fictional scene is transformed into a surreal space, where scale, perspective, and the document of the photograph create a tension between the material reality of the scene and the impossibility of the depicted narrative. In this space, between evidence and plot, the imagination of the viewer is unlocked, engaged, and provoked. I want my scenes to convey rich, complex, detailed, and, ultimately, open-ended narratives. Several common themes prevail throughout my work: the constructed photograph, the landscape in turmoil, and danger married to humor. I present these elements as the raw materials of stories with messages, but without conclusions. The photographs I create do not reflect the tradition of the grand idyllic landscape. Rather than showing the beautiful or heroic vista, I look to the darker corners of life. I am interested in the forces of entropy, in the ruins left in the wake of human pretense of grandeur. My scenes are usually devoid of people, and this emptiness becomes an important element. In this way, the impact of civilization is shown by what remains in the absence of humans. Evidence of humans may still be visible, but the cause for their absence is left unclear, allowing the viewer to complete the narrative. In my current series The City, I focus on the ruins of urban landscapes. I have chosen the spaces that celebrate modern culture, knowledge, and innovation: the theater, the museum, and the library. Here the monuments of civilization and material culture are abandoned, in a state of decay and ruin, with natural elements such as plants, insects, and animals beginning to repopulate the spaces. This idea of paradise lost, or the natural world reclaiming itself, becomes more forceful as we face greater environmental challenges in the world around us.  Today you will be writing about an image from artist McNair Evans' series Confessions For A Son.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember, refer to your "How to See" handout for analyzing a photograph--Your analyses will be graded on:
Read the Project Statement before you write: Summary Confessions for a Son juxtaposes photographs I made in 2010 and 2011 concerning the lasting psychological landscape of my fathers legacy with images taken by him roughly 40 years ago to explore a complex relationship between father and son and the disappearance of an American, agrarian way of life. Statement There was no man that my father admired more than his father, and no one his father admired more than the man who raised him. With tenderness of heart and warm humor my father met everyone as his equal. Upon his death in November 2000, I was exposed to our family businesses insolvency. Dad faced a series of devastating fires, bad crops, perpetual over-extension and high-interest loans. Five generations of familial and financial stability fractured. While the economic effects were immediately obvious, the emotional implications lingered beneath the surface for nine years. In 2010 I returned home to photograph the lasting psychological landscape of Dad’s legacy. Retracing my father’s life, I used photography to comprehend its events. Visiting the farms where we hunted, his college dorm rooms, and his oldest friends, I photographed his family members and businesses while researching his character and actions. I could not equate these. These photographs narrate my journey between isolation and acceptance. Initially confused and angry, I grew to know him as a teenager, college student, co-worker, life-long friend, and father who lovingly withheld business realities. I witnessed shortcomings and successes and found empathy with a man who faced so much in his life. His sacrifices cost the ultimate price, and accepting that some questions may never be answered, I grew to love him again. These works share my emotions after his death, my search to learn more abut him in recent years, and a journey of acceptance and forgiveness. These pictures are my way of saying its OK. Everything that happened is done and it’s OK. They are my way of taking ownership of everything that I felt, and all the anger and all the shame, and saying, “Yes, I felt that, and it’s OK to feel that, and I still love you.”  Today you will be writing about an image from artist McNair Evans' series Confessions For A Son.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember, refer to your "How to See" handout for analyzing a photograph--Your analyses will be graded on:
Read the Project Statement before you write: Summary Confessions for a Son juxtaposes photographs I made in 2010 and 2011 concerning the lasting psychological landscape of my fathers legacy with images taken by him roughly 40 years ago to explore a complex relationship between father and son and the disappearance of an American, agrarian way of life. Statement There was no man that my father admired more than his father, and no one his father admired more than the man who raised him. With tenderness of heart and warm humor my father met everyone as his equal. Upon his death in November 2000, I was exposed to our family businesses insolvency. Dad faced a series of devastating fires, bad crops, perpetual over-extension and high-interest loans. Five generations of familial and financial stability fractured. While the economic effects were immediately obvious, the emotional implications lingered beneath the surface for nine years. In 2010 I returned home to photograph the lasting psychological landscape of Dad’s legacy. Retracing my father’s life, I used photography to comprehend its events. Visiting the farms where we hunted, his college dorm rooms, and his oldest friends, I photographed his family members and businesses while researching his character and actions. I could not equate these. These photographs narrate my journey between isolation and acceptance. Initially confused and angry, I grew to know him as a teenager, college student, co-worker, life-long friend, and father who lovingly withheld business realities. I witnessed shortcomings and successes and found empathy with a man who faced so much in his life. His sacrifices cost the ultimate price, and accepting that some questions may never be answered, I grew to love him again. These works share my emotions after his death, my search to learn more abut him in recent years, and a journey of acceptance and forgiveness. These pictures are my way of saying its OK. Everything that happened is done and it’s OK. They are my way of taking ownership of everything that I felt, and all the anger and all the shame, and saying, “Yes, I felt that, and it’s OK to feel that, and I still love you.”  Today you will be writing about an image from artist McNair Evans' series Confessions For A Son.
Write 4 paragraphs, 5 sentences minimum per paragraph. Remember, refer to your "How to See" handout for analyzing a photograph--Your analyses will be graded on:
Read the Project Statement before you write: Summary Confessions for a Son juxtaposes photographs I made in 2010 and 2011 concerning the lasting psychological landscape of my fathers legacy with images taken by him roughly 40 years ago to explore a complex relationship between father and son and the disappearance of an American, agrarian way of life. Statement There was no man that my father admired more than his father, and no one his father admired more than the man who raised him. With tenderness of heart and warm humor my father met everyone as his equal. Upon his death in November 2000, I was exposed to our family businesses insolvency. Dad faced a series of devastating fires, bad crops, perpetual over-extension and high-interest loans. Five generations of familial and financial stability fractured. While the economic effects were immediately obvious, the emotional implications lingered beneath the surface for nine years. In 2010 I returned home to photograph the lasting psychological landscape of Dad’s legacy. Retracing my father’s life, I used photography to comprehend its events. Visiting the farms where we hunted, his college dorm rooms, and his oldest friends, I photographed his family members and businesses while researching his character and actions. I could not equate these. These photographs narrate my journey between isolation and acceptance. Initially confused and angry, I grew to know him as a teenager, college student, co-worker, life-long friend, and father who lovingly withheld business realities. I witnessed shortcomings and successes and found empathy with a man who faced so much in his life. His sacrifices cost the ultimate price, and accepting that some questions may never be answered, I grew to love him again. These works share my emotions after his death, my search to learn more abut him in recent years, and a journey of acceptance and forgiveness. These pictures are my way of saying its OK. Everything that happened is done and it’s OK. They are my way of taking ownership of everything that I felt, and all the anger and all the shame, and saying, “Yes, I felt that, and it’s OK to feel that, and I still love you.” Today you will be writing about artist William Wegman, best known for his photographs of his Weimaraner dogs.
First, watch this short video interview with Wegman. You may use headphones to watch the video, or watch on your laptop/phone. For your Critical Analysis, you will be answering the questions below in response to the video. Please answer in complete sentences and take time to think about you answer.
Your analysis is due by midnight tonight. Today you will be writing about artist William Wegman, best known for his photographs of his Weimaraner dogs.
First, watch this short video interview with Wegman. You may use headphones to watch the video, or watch on your laptop/phone. For your Critical Analysis, you will be answering the questions below in response to the video. Please answer in complete sentences and take time to think about you answer.
Your analysis is due by midnight tonight. Today you will be writing about artist William Wegman, best known for his photographs of his Weimaraner dogs.
First, watch this short video interview with Wegman. You may use headphones to watch the video, or watch on your laptop/phone. For your Critical Analysis, you will be answering the questions below in response to the video. Please answer in complete sentences and take time to think about you answer.
Your analysis is due by midnight tonight. Semester 1 Personal ReflectionToday you will be writing about your own work that you have made in this class.
Take some time to think about the different projects you have completed so far in class. You will pick one project that you responded to, and one project that you did not respond to. Then, you will write about your experience. Be sure to include this information in your writing:
Next, pick your least favorite image that you have created this year, and write at least 1 paragraph analyzing the image. Describe specifics, form, and content. Finally, evaluate the image. Be sure to describe which project you shot the image for. For your final paragraph, take some time to write about your Dream project. Explain how your final images pertain to the theme word of DREAM. Explain how your images are cohesive. Your analyses must be a minimum of 5 paragraphs, with 5 sentences minimum per paragraph. Be sure to post your analysis as a comment to the correct class period blog post. Your analyses are due by MIDNIGHT on Wednesday, 1/29/2020. |
AnalyzeUse this guide if you are stuck on what to write about: Archives
February 2021
Categories
All
|
RSS Feed
Home
Copyright © 2020 TMI Photo